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History
According To Kerry Kearney
The Blues Don't Have To Be Sad
-by Barbara Bales
“W.C.
Handy was the first musician to use the word 'blues' in a song.
Robert Johnson was just 27 when he died, and he only wrote 29 songs.
I think B.B. King is the ambassador for the blues. . ." So
begins recording artist Kerry Kearney, who is as enthusiastic about
the history of the blues as he is about the history of his own musical
career.
"Let me tell you how all the pieces of the puzzle fell into
place for me," continues the mercurial guitar player/singer/songwriter.
"I'm from Queens, but in the late '80s I relocated to San Francisco,
where I played the club circuit. After finishing a gig one
night, Marty Balin of The Jefferson Starship approached me. He said
he heard the set and liked my guitar playing. He asked me to join
his band! For the next five years I toured with Marty. We played
all over the States, Germany, Russia. It was great. We recorded
a full-length album called Better Generation which got airplay on
WXRK here in New York. That's when deejay Pete Fornatale had us
perform live on his show, when he was still with WXRK. I had
always been a sideman, but when Marty decided to go to Florida
to pursue his other interest, painting, I came back to New
York to do my own thing. I continued for a while playing in various
bands throughout Queens, knowing I'd one day have my own band. Marty
Balin gave me a real boost musically; he encouraged me to be
a vocalist as well."
That was the first part of the "puzzle". Soon, more pieces
fell into place. A friend of Kerry's, Peter Hoffman, invested money
in Kerry's demo. "It was a little independent CD and we only
pressed a few hundred copies. But it was through Peter that I eventually
met a huge agent, John Podell from ICM (International Creative Management).
His roster has included artists like Peter Gabriel and The Allman
Brothers. Since my friend Peter is a doctor, he has been behind
the scenes at many concerts; I believe that nowadays a doctor is
required to be at each show in case of a medical emergency. At one
of those shows, Peter met John Podell and handed him my CD. John
seemed impressed, so he asked David Wilkes of Mercury Records to
come to one of our gigs."
Although
Wilkes saw potential in Kearney, he passed on signing him because,
according to Kerry, "Mercury Records was not taking on any
electric Delta blues artists." But Wilkes urged some folks
at the Greenwich Village-based Palmetto Records to check out the
CD. "Meanwhile, John became our agent. We had an agent before
we had a record deal," Kerry laughs. More puzzle pieces to
follow....
Upon hearing his disc, the Palmetto Records crew did not feel the
music was "rootsy enough" for their label. So he had to
send them additional material. "I taped myself playing
the dobro in my bathtub, minus the water, of course. I then forwarded
the tape to Palmetto. For one of our gigs at Manny's Car Wash in
Manhattan, the Palmetto reps showed up and they were hooked! That's
it." A bathtub and a dream....
Within a week of hooking Palmetto Records with their sound, Kerry
and his bandmates - Eileen "Little Steamrolller" Murphy,
drums; Frank Celenza, bass; Jack Licitra, keyboards/accordion/backing
vocals; Charlie Wolfe, harmonica - were signed. It was then that
agent extraordinaire Podell told them to hurry up and put an album
together. Explains Kerry, "John pushed us to complete an album
really fast, and if we did, he promised to add us to The Allman
Brothers tour by the summer of '99. So we went to a farm in Pennsylvania
and recorded in a 200-year-old barn which had been converted into
a studio." The CD borne out of that barn is entitled Kerry
Kearney. The group kept their end of the deal and
so did Podell. They opened for The Allman Brothers "all the
way from Chicago to Boston for a total of ten shows. The tour was
dubbed the NASCAR Rocks Tour," says Kerry. "It was a big
promotion for NASCAR, which is not well known on the East Coast."
Other highlights of his musical career include several awards.
A few years ago, Kerry met a WUSB deejay and member of the Long
Island Blues Society named Bobby Sherman. (Note: Sorry girls, not
"Bobby-the-teen-idol-whose-face-adorned-many-a-lunch -box Sherman.")
"Bobby had heard my music on the radio station WGBB and invited
me to be a guest on his show on WUSB, Stony Brook College's station.
He introduced me to some people in the Long Island Blues Society.
In 1998, the Long Island Blues Society held a contest. Their panel
voted us Best Blues Band. We won the opportunity to play live at
Bluestock in Memphis and to play at the Buck's County Blues Festival,
the biggest one on the East Coast. In 1999, the Long Island Voice
voted me Best Guitarist. I'm amazed at what's happened in the past
few years!"
Although
Kerry is no longer with Palmetto, he has had the utmost respect
for them. "Palmetto Records' Matt Balisaris, Pat Rustici and
Terry Coen had all been there for me since the beginning. We did
a radio tour in the Northeast. The CD actually sold thousands of
units around Long Island within a few months. We're stocked in Tower,
HMV, Digital Disc, all the big chains, as well as the mom-and-pops.
In Mississippi, we bumped Kenny Wayne Shepherd from the number one
spot! Palmetto Records was listed in Gavin as having five jazz
albums in the Top 20. In 1999, Palmetto had one jazz album included
in The New York Times Top 10 Jazz Albums. It was a great label to
be a part of."
Not surprisingly, Kerry cites as influences W.C. Handy, Robert
Johnson, Lightnin' Hopkins, Muddy Waters, Elmore James, Mississippi
John Hurt, Fred McDowell and Eric Clapton. "I try to incorporate
the five or so different kinds of blues into my sets. Many people
don't realize that each part of the country had its own blues style,"
he explains, "and not all blues tunes are about being sad.
There's a happy, ragtime style of blues, too. Whenever an audience
member asks us what kind of music we've played, then I feel we've
succeeded. We want to bring all these forgotten voices into the
new millennium."
Visit: www.kerrykearney.com
Listen to Kerry
Kearney on webcds.com
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